Alan Kushan

Master of Santoor · Avant-garde Musician · Composer · Instrument-Maker · Actor · Singer · Poet
Persian Art Music World Fusion Avant-Garde New Age Ambient
Alan Kushan — portrait by Jaron Lanier

Alan Kushan

Alan Kushan with Santoor

Alan Kushan is arguably one of the most accomplished Santoor players in the world. He stands out not only because of his brilliant realizations of traditional Persian compositions, but also for his innovative avant-garde soundscapes. He is not only a builder of Persian instruments but also a virtuoso in performing Persian traditional music. His style, however, is not limited to the traditional approaches but it extends itself beyond any such boundaries. He applies his own touch to the music that he performs, a touch which he has developed after experiencing the new trend of music, not only in his native land of Iran, but in the world, in this century.

For over twenty five years, Alan has maintained an active involvement performing and composing for theatrical and cinematic productions. He is the recipient of numerous awards for his accomplishments including the 1991 Genie Award for "Best Short Film", and a nomination in 1993 for the Dora Mavor Moore Award for "Best Musical Score for Theatrical Production". Alan was recently honored as Associate Composer at the Canadian Music Center.

The instrument which he uses is also his own invention, which is designed after the traditional Persian Santoor (hammered dulcimer), an old instrument with a sound box and several sets of strings. Each set usually consists of four strings which are tuned in the same pitch, so every four strings, which are supported by individual bridges, would sound the same in multiplied resonance when played with special wooden hammers. Similar instruments exist in different countries all around the world: Chinese Yan Chin, Indian Santoor, and also the Rumanian Cimbalom. The structure ultimately is what the soundboard of a later invention, the piano, has been designed after.

Alan Kushan has passed through multifarious phases of musical composition and performance on his supremely delicate yet highly sophisticated musical instrument — his self-made hammered dulcimer or "NOU-Taan" also known as Santoor. His compositions and arrangements range from traditional Eastern music to innovations with Western classical and Eastern mystical music, to jazz and world music and Avant-garde music, thereby creating newer, fresher, elevated musical forms. Alan Kushan's performance method reveals an academically meticulous technique that is, paradoxically, in stark contrast to the "dream space" he generally endeavors to depict, and its markedly other-worldly, mystical dimensions.

The sound you hear in "Time Traveler Suite" in Pegah album is from a new and unique instrument designed and hand crafted by Alan Kushan, using strings from Piano, Harp and Harpsichord. This instrument creates a bass sound not found in the family of Santoor, yet Alan has created this instrument using the Santoor trapezoidal box concept, and plays it using Santoor hammers.

One of Alan Kushan's many contributions to the SANTOOR has been to broaden its musical range by increasing the number of bridges (notes) available to the musician. This expands the SANTOOR from a typically restricted pitch area into an instrument capable of traveling previously unexplored musical territories. Alan designs and constructs these unique SANTOORS and, in addition to differing gauges of steel and copper wire, he uses piano and harp strings to create fascinating variations in tonal quality.

Longer Than Time
Alan Kushan

New & Upcoming Releases

Time Traveller Suite – Alan Kushan
★ New Release · Out Now ★
Time Traveller Suite
Released Worldwide: July 24, 2026

Time Traveller Suite is an epic over 18-minutes musical odyssey that bridges the ancient world with the limitless possibilities of the future. Guided by the timeless voice of the Persian santoor, Alan Kushan invites the listener on a voyage through civilizations, forgotten landscapes, and the enduring spirit of Persian culture—a civilization that has witnessed the rise and fall of empires, yet continues to inspire through its art, poetry, and music.

At the heart of this recording is an extraordinary instrument conceived and handcrafted by Alan himself. Inspired by the traditional Persian santoor, this monumental concert instrument is built on a larger scale and strung with a unique combination of piano, harp, and harpsichord strings. The result is a breathtaking sonic palette that ranges from delicate whispers to majestic orchestral textures, revealing colors and resonances rarely heard from a single instrument.

Blending centuries-old Persian melodies with contemporary composition and cinematic soundscapes, Time Traveller Suite moves effortlessly across time—honoring the past while embracing the future. It is a meditation on memory, transformation, and continuity, reminding us that while civilizations evolve and the world around us is constantly changing, the human desire to create, to remember, and to imagine remains timeless.

Through this singular performance, Alan Kushan invites us to become fellow travelers—journeying beyond history, beyond geography, and beyond the boundaries of time itself.

A Sip of Fire – Koorosh Angali & Alan Kushan
★ New Release · Out Now ★
A Sip of Fire
Koorosh Angali & Alan Kushan · Released Worldwide: Friday, July 24, 2026

A Sip of Fire is a mesmerizing collaboration between acclaimed visual artist, poet, musician, and writer Koorosh Angali and renowned Santoor Maestro Alan Kushan. Rooted in the rich traditions of Persian art and inspired by the timeless poetry of Mawlana Jalal ad-Din Rumi, the album weaves expressive spoken word with beautifully improvised santoor performances, creating an intimate journey of reflection, passion, and spiritual discovery.

A lifelong student of Persian culture, Koorosh Angali has earned numerous awards in the visual arts, music, and literature. A painter, poet, stage actor, and scholar, he is celebrated for his evocative interpretations of Rumi's poetry and his ability to unite classical Persian tradition with contemporary artistic expression. His lyrics for The Child Within received the San Francisco Weekly Wammies Award.

Alan Kushan is widely regarded as one of the finest santoor performers of his generation. His masterful artistry combines the elegance of Persian classical music with a deeply personal and innovative musical voice. Together, Angali's heartfelt recitations and Kushan's spontaneous performances create a living dialogue where poetry and music breathe as one.

A Sip of Fire is an invitation to experience the enduring beauty of Persian culture through a timeless fusion of poetry, music, and artistic expression.

The Dawn – Alan Kushan
★ Upcoming Album ★
The Dawn
Alan Kushan · Coming Soon

The Dawn is a meditation on beginnings — that fragile, luminous moment when night finally gives way to first light. In Persian tradition, dawn has always carried a special weight: it is the hour of poets and travelers, of remembrance and renewal, when the world feels briefly suspended between what has passed and what is still to come.

These compositions have lived with Alan Kushan for many years, deepening and evolving alongside him. Here they emerge fully reborn — newly refined, and mastered — carrying both the intimacy of long companionship and the freshness of a first morning. What was once memory becomes arrival; what was once longing becomes light.

At the center of it all is the singular voice of Alan's own handcrafted Santoor. Designed after the traditional Persian instrument and strung with piano and harp strings, it moves from the most delicate shimmer — like light breaking over a horizon — to vast, orchestral waves of sound, revealing colors rarely heard from a single instrument.

The Dawn is an invitation to stand at that threshold: to listen as darkness dissolves, and to greet what rises with open hands.

★ Alan Kushan in Concert ★
The Sufi Lounge · New York
April 11, 2025
Alan Kushan — The Sufi Lounge, New York · April 11, 2025

Gallery

Albums

Gate Crashing – Alan Kushan
★ Just Released ★
Gate Crashing
Style/Genre: World Fusion · New Genre Electronic Acoustic Music

Unlocking the Architecture of Memory

Gate Crashing is a journey through unseen thresholds—a place where time dissolves, space bends, and memory becomes a living landscape rather than a distant recollection.

These compositions do not attempt to describe a destination. Instead, they explore the moment when an invisible gate begins to open. The boundaries between past and future, silence and sound, the familiar and the unknown gradually lose their certainty. What remains is movement—an endless current flowing through consciousness, much like galaxies traveling through the immeasurable fabric of the universe.

Blending driving electronic textures with the timeless resonance of the Persian santoor, Alan Kushan creates a dialogue between ancient memory and modern energy. The music does not seek conflict between these worlds; it allows them to coexist, revealing unexpected harmony where opposites meet.

We live in an age where change often arrives without warning. Long-held structures can shift overnight, and certainty can become fragile. Yet every ending also reveals the possibility of another beginning. Every barrier that breaks apart can become an opening toward understanding.

Perhaps our deepest memories are not simply records of the past, but blueprints waiting to be rediscovered—fragments of something larger that connect us across cultures, generations, and even beyond what we can explain.

What is thought? Where does inspiration arise? Why do certain sounds awaken emotions we never knew we carried?

There may never be final answers.

Perhaps the questions themselves are the gates.

And perhaps hope is the quiet force that gives us the courage to walk through them.

  • 1. UMMA 5:24
  • 2. NTPPUL 8:11
  • 3. UR 3:06
  • 4. THURGAU 4:17
  • 5. HELVETIC 4:07
  • 6. AKAD 5:31
  • 7. SHUSHA 7:10
  • 8. ERTDU 1:53
  • 9. SAIGHIR 9:28
  • 10. PLOVDIV 4:03

Credits

Alan Kushan: Santoor, Compositions, Voices, Percussion Programming, Sequencing

Noha Waldman: Drums

Roy Watanabe: Guitar

Steven Sens: Bass

Sample of Master violinist A. Malek (by Permission)

This Project was done in 4 different recording studios

1. Steven Sena: Steven Sena Studio in Berkeley, CA (Recording)

2. Noha Waldman: Safran Studio in San Francisco, CA (Recording, Mixing)

3. Richard Horowitz: NYC (Mastering)

4. Arash Adelpour: Wesel, Germany (Mastering)

Unforgotten Sketches – Alan Kushan
★ Just Released ★
Unforgotten Sketches
Style/Genre: World Fusion · Instrumentation: Santoor, Tabla

Alan Kushan, avant-garde musician and concert-performer of Persian/Iranian descent; musical composer; musical instrument-maker; actor; singer; and poet. Alan is an internationally recognized Persian avant-garde 'santoorist', and the leading exponent of the New Santoor style. After passing through multifarious phases of musical composition and performance on his supremely delicate yet highly sophisticated musical instrument — his self-made hammer dulcimer or santoor, ranging from traditional Persian music, to fusions of Western classical and Persian mystical music, to jazz and world music, as well as futuristic and avant-garde music, Alan Kushan is still audaciously and earnestly experimenting in the musical realm. His techniques on his self-made santoor are indeed altogether fascinating and breathtaking. He studied music composition in Zurich, Köln and Berlin as well as Canada and USA; he also studied with Sir Yehudi Menuhin, Karlheinz Stockhausen and other master musicians.

  • 1. Nima Yooshij 4:47
  • 2. Khayyam 7:16
  • 3. Hafez 7:34
  • 4. Molavi Rumi 6:23
  • 5. Saadi Shirazi 3:31
  • 6. Ferdowsi 8:30
  • 7. Sanai 6:41
  • 8. Sohrab Sepehri 5:36
  • 9. Akhavan-Sales 5:15

Credits

All songs composed by Alan Kushan (#2 Alan & Pepe)

Alan Kushan: Santoor, Voices, Percussion, Other Instruments

Joseph Pepe Danza: South American and Chinese Flute (1, 2)

Andreas Kahre: Percussion (1, 2)

Kai Eckhardt: Bass (8)

Michael Fossenkemper: Recording, Mixing (Turtle Tone)

Alex Theoret: Recording, Mixing (Turtle Tone)

Steven Sens: Recording (Steven Sens Studio, Berkeley, CA)

Richard Horowitz: Recording, Mixing, Mastering, NYC (Song: Sanai)

Additional Recordings: CBC Studio Toronto, Canada

Arash Adelpour: Mastering (Wesel, Germany)

Review — Unforgotten Sketches

"Alan Kushan is about tuning, very subtle tuning! Everything about him is in tune." — Richard Horowitz: Composer, Performer and Producer.

The following was written while listening to the album, not before, not after.

1. A dense nucleus of thought forms shape, shift in waves of melismas.

2. The Santoor is a spider web trapping an exotic bird made of microtonal wind: the tables devour the winds.

3. The Santoor is a billion-year-long humming bird feasting on the carcass of a black hole: the beat shifts and a ritual footless waltz turns on an axis of split-seconds.

4. Darkness, dissonance, expectation: one of Kushans most tight-roped moments! Echoes of Zarathustra. The introduction leads down the path to a cave where dreams are stored. There is a throne made of vibrating unstruck strings; on it sits Kushans perfectly disembodied voice luring us to a circular hole at the top of the cave. We rise and converge with him into the night sky.

5. Warmth, confidence, courage! Mahour Alan is flying over his most precious memories.

6. The Karatesque deftness of Kushan's ultra-light mallets generate a relentless macrospiral that collides with the percussion as if it were the beginning of a cosmic battle with gravity itself, which in Kushan's ultra-fluid world is either the same as or the origin of memory (since gravity is now thought to act interdimensionally on the dissonance in the overtone structure to create matter, as it were, according to Jaron).

7. Raga Todhi. Kushan attacks shadows of overtones with mallets made of fire and tears. His voice glides over the buzzing of souls guiding them to the inner secret he has come to reveal.

8. An old wooden boat arrives on a beach at night. A majestic fire dance and sacrifices are being performed.

9. The dancers leave the beach and start running through a wide valley. Their eyes are stars shooting solar flares through the mountains. Faster and faster they run, unable to stop. There is no end.

★ Unforgotten Sketches Hits No. 40 on TransGlobal World Music Chart ★

TransGlobal World Music Chart →
East to East – Alan Kushan
★ Album ★
East to East
Featuring Abhijit Banerjee · Style/Genre: World Fusion · Instrumentation: Santoor, Tabla  •  Item # CD 1015-2

One of Alan Kushan's many contributions to the SANTOOR has been to broaden its musical range by increasing the number of bridges (notes) available to the musician. This expands the SANTOOR from a typically restricted pitch area into an instrument capable of traveling previously unexplored musical territories. Alan designs and constructs these unique SANTOORS and, in addition to differing gauges of steel and copper wire, he uses piano and harp strings to create fascinating variations in tonal quality. In this album he is accompanied by Abhijit Banerjee on Tabla.

  • 1. East 3:55
  • 2. Persia 6:20
  • 3. Tibet 9:56
  • 4. Kashmir 5:13
  • 5. Jerusalem 9:23
  • 6. Nepal 0:54
  • 7. Punjab 4:19
  • 8. Himalia 6:43
Total Time: 46:46

Credits

Alan Kushan: Santoor

Abhijit Banerjee: Tabla & Voices

Recorded and Mixed by: Simon Adam

Initial Mastering by: Aldoush Alpanian

Mastered by: Arash Adelpour

Produced by: Alan Kushan

Arctic Soul – Alan Kushan
★ Album ★
Arctic Soul
Style/Genre: New Age · World · Ambient · Instrumentation: Santoor, Voices, Keyboards, Tabla, Sarangi  •  Item # CD 1014-2

The original compositions in this album reflect influences from Africa, Persia, India, Romania, and the Blues. The goal was to interconnect musical colors relating to a tranquil mind environment & Santoor as an instrument. In this album Alan Kushan on Santoor and Voices is accompanied by Ramesh Misra on Sarangi, Pranesh Khan on Tabla, Robert Simms on Keyboard & Percussion.

Those parts of thee that the world's eye doth view / Want nothing that the thought of hearts can mend; / All tongues, the voice of souls, give thee that due, / Utt'ring bare ruth, even so as foes commend. — Shakespeare

  • 1. Indigo Void 5:27
  • 2. The Blues Voyager 5:52
  • 3. Avatar — the Dusty Poet 8:59
  • 4. Starless Planet Dance Goddess 9:18
  • 5. Khesed 8:02
  • 6. One of One 8:02
  • 7. Mehr O Mah 4:22
Total time: 50:05

Credits

Alan Kushan: Santoor & Voices (All Tracks)

Robert Simms: Keyboard & Percussion (All Tracks)

David Moor: Percussion (Tracks 1, 2, 3, 6, 7)

Ramesh Misra: Sarangi (Track 3)

Pranesh Khan: Tabla (Tracks 2, 3, 4, 6, 7)

John Villa: Didgeridoo/Percussion (Track 1)

Debopriyo Sarkar: Tabla (Track 4)

Produced by: Alan Kushan

Recorded and mixed by: Steven Sena at SX Sound Studio

Mastered by: Arash Adelpour

Mehr o Mah is Persian; Mehr means 'love & sun', Mah means 'the moon'
Khesed in Hebrew means 'loving & kindness'

Pegah – Alan Kushan
★ Album ★
Pegah
Dawn — A Persian Diaspora · Style/Genre: World Fusion · Instrumentation: Solo Santoor  •  Item # CD 1006-2

Pegah (Dawn) A Persian Diaspora — The dispersion of originally homogeneous people beyond the borders of time and place. A migration.

Alan Kushan is arguably one of the most accomplished Santoor players in the world. The instrument which Alan uses is also his own invention, which is designed after the traditional Persian Santoor (hammered dulcimer). His creates brilliant realizations of traditional Persian compositions, combined with innovative Avant-garde soundscapes. The sound you hear in "Time Traveler Suite" is from a new and unique instrument designed and hand crafted by Alan Kushan, using strings from Piano, Harp and Harpsichord.

  • 1. Pegâh-É Farvardîn 19:52
  • 2. Shûr 2:39
  • 3. Pâryâb 9:01
  • 4. ASA Banî 16:21
  • 5. Parvardégân 7:25
  • 6. Time Traveler Suite — Mosafer I 5:43
  • 7. Time Traveler Suite — Mosafer II 7:58
  • 8. Time Traveler Suite — Mosafer III 4:38
Total time: 73:50

Credits

Recorded by: Mitch Park (Mitch Park Recording Studio)

Mastered by: Victor Owens (Digisonic Studios)

Photo by: Eli Goldman

Liner Notes by: Jeff Obee

Cover design and computer graphics by: Koorosh Angali

Produced by: Aldoush Alpanian

Time Traveler Produced by: X DOT 25

Executive Producers: X DOT 25 Music

Collaborations & Guest Appearances

Albums featuring Alan Kushan as collaborator or guest performer

Longing — Habib Khan
Longing
Habib Khan
Koorosh Angali Recites Rumi
Koorosh Angali Recites Rumi
Featuring Alan Kushan on Santoor
Voices of Spheres — Salamat Ali Khan
Voices of Spheres
Salamat Ali Khan, Sharafat Ali Khan, Shafqat Ali Khan
Eyes Over India Vol. 1: Ecstasy — Habib Khan
Eyes Over India Vol. 1: Ecstasy
Habib Khan

Guest Musicians on Alan's Albums

Abhijit Banerjee

Abhijit Banerjee — Tabla

Abhijit Banerjee received his initial training in tabla from Tushar Kanti Bose and then from Manik Pal. Later on he became a disciple of the legendary tabla maestro, the late Gyan Prakash Ghosh. As a child he won many music competitions of national repute. Besides TABLA he had his training in Vocal Music and in Violin. He represents the Farukhabad gharana of tabla playing.

At present Abhijit is considered as one of the leading tabla players. He is recognized for his skillful accompaniment as well as for his solo performances. He has been on concert tours with most of the leading classical musicians of India both in North Indian and South Indian tradition. He has toured all over the world and also performed with jazz musicians and groups in New York. Abhijit teaches Indian Classical Music at Universities in U.S.A., Japan, England and Spain.

Ramesh Misra

Ramesh Misra — Sarangi

Ramesh Misra, mastering over one of the most difficult unique string instruments 'Sarangi', acquired training from finest musicians of Benaras Gharana, Hanuman Prasad Mishra and late Gopal Mishra and the legendary maestro Ravi Shankar. A recipient of India's most prestigious Sangeet Natak Award. His Sarangi can be heard in many music productions, including his solo albums and Ravi Shankar's 'Inside the Kremlin' and the Grammy nominated album 'Legacy' produced by the legendary Ali Akbar Khan. He also appears on 'Journey on the Strings' with Habib Khan and Swapan Chaudhuri. Misra is also one of the recording artists in Aerosmith's recent album.

Pranesh Khan

Pranesh Khan — Tabla

Pranesh Khan began his music studies with his grandfather Baba Allauddin Khan and father Ali Akbar Khan. He has studied with tabla legends Kanai Data, Shankar Ghosh, Alla Rakha, Zakir Hussain and Swapan Chaudhuri. Pranesh Khan is a master tabla player whose musical career includes performances with many noted European, American, and Indian musicians, including the Philadelphia String Quartet, Paul Horn, John Handy, Alice Coltrane and the Shanti and Third Eye fusion bands, Ali Akbar Khan, Aashish Khan, Nikhil Banerjee, Laksmi Shankar and G.S. Sachdev.

The Ancient Santoor

The ancient musical instrument SANTOOR, has a unique trapezoid shape, and is more commonly known in the western world as the "hammered dulcimer". The origins of the SANTOOR lie in ancient Persia and the instrument has inherited a proud legacy that is thousands of years old. Because of Persia's contacts with Greece, Rome, India, China, SANTOOR found its way to such diverse areas of the world such as Ireland, Switzerland, Poland, the Ukraine, Hungary, Korea, and Germany. Each of these nations has adapted the SANTOOR to its own musical temperament and has christened it with its own unique name.

This aristocratic instrument was played at every important ceremony and on festival occasions, especially at the imperial courts. Due to the fact that the Persian plateau has always, through the passage of the history of civilizations, served as an indispensable "bridge" between cultures and peoples of the East and those of the West, this musical instrument, the SANTOOR, inevitably came to be introduced to other civilizations. This was achieved not only via the ancient and legendary "Silk Road" which Marco Polo traveled 700 years ago, but also by virtue of earlier contact between the Achaemenean Persians (599 BC-333 BC) and the ancient Greeks. This exchange was continued by the Sassanian dynasty of Persia (224-637 AD) through her cultural and diplomatic links with the Roman Empire.

Performances on Video

Selected tracks & live performances

Jerusalem
East to East · with Abhijit Banerjee
Kashmir
East to East · Solo Santoor
Without You
Koorosh Angali Recites Rumi
Blend
Koorosh Angali Recites Rumi
The Essence
Koorosh Angali Recites Rumi
Longer Than Time
Alan Kushan
They Journeyed South
Alan Kushan
The South of Innerself
Alan Kushan
Alan Kushan Live
Live performance