Arash Adelpour is a songwriter, vocalist, performer, producer and sound engineer. Born in 1973, both his mother and father were involved in television programming productions. Arash learnt English and music from his mother from a very early age — melodica at three, accordion at seven and got interested in the guitar at the age of twelve.
During high school years, Arash also developed an interest in psychology and parapsychology and found great interest in rock music, attending guitar lessons and playing classical guitar. He experimented with different styles including classical, jazz, blues, rock and heavy metal. In the meantime he also attended music theory classes and started studying harmony, modern harmony, twentieth century harmony, forms, orchestration, and song writing. He has performed as a bass-baritone for four years. He formed a "grunge" band called Brainwash in his freshman year at the university. He is best known for his cooperation with many prominent musicians and has gained further recognition after the release of his well received "Ultimate Reality Towards Divinity" album.
1993 was the year that probably set the pace for his future career, when he met Payman Abdali who had shown interest in the Brainwash album. Payman Abdali was an electronic music artist with good experience in music production and recording. Arash entered a completely new genre and started learning about sound and sound engineering. Arash started to find his own style and combined elements from rock, heavy metal, electronic, experimental, world music and fusion. He also learned folk songs from different regions. The puzzle was finally solved after he heard "Ocean" by Stephan Micus, which led him to create a piece which would include all these styles that he had loved throughout the years and to perform them by an acoustic ensemble.
In 1994, together with Payman Abdali, they created a band called Aryo Barzin. In the same year Arash worked on alternate tunings after he noticed that he can make his guitar sound like an Oud or Tanbour (which is the sacred instrument of Kermanshah), by changing the tuning and to play some strings like a resonator. This enabled him to play the traditional folk songs more the way it should sound.
Arash started working at the local sales distributor for Professional Audio products of Yamaha in 2000. He started work as a sound engineer after helping establish digital recording studios then he decided to choose sound engineering as a full time career. He has helped set up 14 major studios and throughout his career, has recorded and produced more than 500 albums, tens of movie soundtracks, more than 25 soundtracks for television series and thousands of tracks.
He has worked with a large number of the most famous names in Iranian music including Hooshang Kamkar, Fereydoon Shahbazian, Sharam Nazeri, Javad Zarrabian, Hooshang Zarif, Mehdi Gurangi, Omid Sayareh, Amir Moeini, Keyhan Kalhor, Ali Akbar Moradi, Hesam Aldin Seraj, Bijan Bijani, Naser Abdollahi, Hamid Hami, Nima Masiha, Hossein Behroozinia, Pejman Haddadi, Iraj Khajeh Amiri, Ehsan Khajeh Amiri, Amir Karimi, Alireza Eftekhari, Hamid Fooladi and many other prominent world music musicians.
Contact: ArashAdelpour@gmail.com
Arash Adelpour: Acoustic Guitar • Hamid Khosroshahi: Flute • Reza Abaee: Gheychak (alto and soprano) • Mohammadali Delnavaz: Benjo (instrument from Baluchistan) • Golnoush Malayeri: Santoor • Behnam Masoumi: Percussions • Behnam Salehi: Percussions • Nima Delnavazi: Bass Guitar
All music has been composed and arranged by Arash Adelpour, inspired by his experiences around meditation. The band members were given a free hand in choosing their improvisations based on their emotional intake of the concept of each piece.
Realization of a Sacred Dimension of Reality
مرا عهدیست با شادی که شادی آن من باشد مرا قولیست با جانان که جانان جان من باشد به خط خویشتن فرمان به دستم داد آن سلطان که تا تختست و تا بختست او سلطان من باشد اگر هشیار اگر مستم نگیرد غیر او دستم وگر من دست خود خستم همو درمان من باشد نبیند روی من زردی به اقبال لب لعلش بمیرد پیش من رستم چو از دستان من باشد بدرم زهره زهره خراشم ماه را چهره برم از آسمان مهره چو او کیوان من باشد
خنده از لطفت حکایت میکند ناله از قهرت شکایت میکند این دو پیغام مخالف در جهان از یکی دلبر روایت میکند شکرها داریم زین عشق ای خدا لطفهای بینهایت میکند هر چه ما در شکر تقصیری کنیم عشق کفران را کفایت میکند
ای نوش کرده نیش را بیخویش کن باخویش را باخویش کن بیخویش را چیزی بده درویش را با روی همچون ماه خود با لطف مسکین خواه خود ما را تو کن همراه خود چیزی بده درویش را درویش را چه بود نشان جان و زبان درفشان نی دلق صدپاره کشان چیزی بده درویش را هم آدم و آن دم تویی هم عیسی و مریم تویی هم راز و هم محرم تویی چیزی بده درویش را جان من و جانان من کفر من و ایمان من سلطان سلطانان من چیزی بده درویش را
بازآمدم بازآمدم، از پیش آن یار آمدم در من نِگر در من نِگر، بهر تو غمخوار آمدم شاد آمدم شاد آمدم، از جمله آزاد آمدم چندین هزاران سال شد، تا من به گفتار آمدم آن جا روم، آن جا روم، بالا بدم، بالا روم بازم رَهان بازم رَهان، کاین جا به زِنهار آمدم من مرغ لاهوتی بُدم، دیدی که ناسوتی شدم دامَش ندیدم ناگهان، در وی گرفتار آمدم ای شمس تبریزی! نظر در کل عالم کی کنی؟ کاندر بیابان فنا جان و دل افگار آمدم
حیلت رها کن عاشقا دیوانه شو دیوانه شو و اندر دل آتش درآ پروانه شو پروانه شو هم خویش را بیگانه کن هم خانه را ویرانه کن وآنگه بیا با عاشقان هم خانه شو هم خانه شو رو سینه را چون سینهها هفت آب شو از کینهها وآنگه شراب عشق را پیمانه شو پیمانه شو باید که جمله جان شوی تا لایق جانان شوی گر سوی مستان میروی مستانه شو مستانه شو